Armed with a Ph.D. In Romance Languages and Literature and passions for cinema and music, I taught and I write primarily about film, and I translate from French. Much of my research has involved film's auditory dimensions, especially music. My 1987 book Unheard Melodies: Narrative Film Music was among the first academic studies of film music, and the second edition is nearing completion almost three decades later.

I have also published about 70 essays since 1974 about aspects of film and TV music, audiovisuality, women in film, French and American film. I co-edited, with John RIchardson and Carol Vernallis, the Oxford Handbook of New Audiovisual Aesthetics (2013).

I have translated five books by composer Michel Chion: three about what he calls 'audio-vision' in film, one about Stanley Kubrick's 2001: A Space Odyssey, and most recently, a wonderful book called Words on Screen. Armed with a Ph.D. In Romance Languages and Literature and passions for cinema and music, I taught and I write primarily about film, and I translate from French. Much of my research has involved film's auditory dimensions, especially music. My 1987 book Unheard Melodies: Narrative Film Music was among the first academic studies of film music, and the second edition is nearing completion almost three decades later. I have also published about 70 essays since 1974 about aspects of film and TV music, audiovisuality, women in film, French and American film. I co-edited, with John RIchardson and Carol Vernallis, the Oxford Handbook of New Audiovisual Aesthetics (2013).

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